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1602

with
in 1602
National Gallery of Ireland, Dublin. Caravaggio's application of the chiaroscuro technique shows through on the faces and armour notwithstanding the lack of a visible shaft of light. The figure on the extreme right is a self-portrait.
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747039

in 1602
The Night, black chalk and gouache on paper (after Michelangelo), Louvre-Lens
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1023684