. was probably created near the end of the artist's Cretan period. The painting combines post-Byzantine and Italian mannerist stylistic and iconographic elements.
. In the portrait of Clovio, friend and supporter in Rome of the young Cretan artist, the first evidence of El Grecos gifts as a portraitist are apparent.
. now El Greco's best known work, illustrates a popular local legend. An exceptionally large painting, it is clearly divided into two zones: the heavenly above and the terrestrial below, brought together compositionally.